Within the opening parts of Oh! Sukumari, a younger woman hears her instructor describe happiness as a big household sure by love and togetherness. Having misplaced her mom, she quietly holds on to the hope of discovering that type of residence sometime. Elsewhere, an ageing patriarch mourns a household that appears to worth him extra for his wealth than his presence. Their shared eager for love and belonging varieties the emotional core of the movie.
Director Bharath Dharshan brings these seemingly disparate lives along with heat and humour. Oh! Sukumari belongs to the current wave of low-stakes rural comedies that discover allure within the on a regular basis lives, desires and struggles of odd folks.
Oh Sukumari (Telugu)
Director: Bharat Dharshan
Forged: Thiruveer, Aishwarya Rajesh
Runtime: 137 minutes
Storyline: A lady with a unusual situation longs for a contented household whereas the person has to study to look past petty insecurities to search out peace.
Nothing right here is bigger than life. The village is portrayed with out gloss, its properties really feel lived-in moderately than picture-perfect, and its characters are grounded in actuality. Consider Thiruveer’s earlier movie, The Nice Pre-Wedding ceremony Present, one among 2025’s sleeper hits. Whereas that was closely steeped in humour, Oh! Sukumari strikes a extra balanced be aware, pairing laughs with emotional heft.
Set in rural Telangana, the movie unfolds in a world of amiable characters who embrace music, dance and color throughout village festivities.
What units Oh! Sukumari aside from different rural comedies is the weird situation of its feminine protagonist, Sukumari (Aishwarya Rajesh). At any time when she turns into emotional, anybody who touches her receives an electrical shock. A childhood incident reveals how this unusual potential helps her fend off a bunch of thugs, however as she grows older, the movie explores the sensible issues it brings.
The village fears Sukumari’s situation and retains her at arm’s size, ready for the day she is married off. Nicknamed present pilla (electrical woman), she is believed to haven’t any treatment — except she finds a love as calming because the reminiscence of her mom. Her father (Anand) is her stable assist, however she yearns for extra.
The movie takes its time establishing the principal characters, their household dynamics and the emotional baggage they carry. Bharath usually frames conditions a technique earlier than pulling again to disclose a contrasting actuality, utilizing humour to melt the reveal. Yadagiri or Yadi’s (Thiruveer) political ambitions, as an illustration, initially paint him as a star earlier than including better context. The identical narrative machine shapes the incidents when he crosses path with Sukumari.
The movie is at its most entertaining throughout the marriage ceremony sequence. Seasoned actors Jhansi and Muralidhar Goud enliven the proceedings alongside a vibrant ensemble of villagers, whereas Bharath Manchiraju’s folk-infused up to date rating amplifies the festive temper. The energetic marriage ceremony dance is a standout.
The developments listed below are largely predictable, however the humour lands usually sufficient to maintain the narrative partaking. Miscommunication is a well-known plot machine, but it’s dealt with successfully.
Because the story shifts to marital conflicts, the movie balances comedy with real emotional weight with out turning too melodramatic. Sukumari’s relationships with the ladies in her marital residence, notably her mother-in-law, performed by Aamani, grow to be the emotional anchor utilizing which she begins to deal with the household’s dysfunction.
Not each subplot fares as effectively. Threads involving rural politics, the insecurities of Yadi’s cousin (Srinivas Gavireddy) and one other veiled bride add texture, however some outstay their welcome and dilute the narrative’s momentum.
The movie retains returning to its protagonists, permitting them house to replicate, make amends and are available into their very own. It’s within the closing stretch, nevertheless, that the narrative turns into overly talkative. With practically each character receiving a neatly wrapped-up ending, the 137-minute runtime begins to really feel its size. A tighter edit would have helped.
Regardless of a number of missteps, Oh! Sukumari stays partaking largely due to Thiruveer and Aishwarya Rajesh. Thiruveer has repeatedly proved his potential to play the everyman, and he does so once more with ease. Yadi is layered and flawed, and the actor convincingly navigates his emotional conflicts whereas effortlessly switching between humour and vulnerability.
Aishwarya, in the meantime, has a knack for making her performances look easy. She makes the many of the movie’s comedian moments, whereas additionally pulling off a satisfying mass-action sequence. After Sankranthiki Vasthunam, that is one other satisfying addition to her filmography.
Vishnu Oi and Sharanya Pradeep seem in prolonged cameos. Vishnu arrives at an important juncture and leaves an impression, however Sharanya is underserved in a task that gives little for an actor of her calibre.
Oh! Sukumari doesn’t try to reinvent rural comedy, aside from the weird premise surrounding its protagonist. Even so, it delivers a heat, moderately partaking watch that balances humour and emotion effectively sufficient to go away a nice impression.
Printed – July 17, 2026 02:43 pm IST
